{"id":468,"date":"2007-03-10T07:59:45","date_gmt":"2007-03-09T22:59:45","guid":{"rendered":"http:\/\/www.soulsmithing.com\/Blog\/?p=468"},"modified":"2023-01-02T12:59:09","modified_gmt":"2023-01-02T17:59:09","slug":"japanese-swords-by-kiyota-jirokunietsu","status":"publish","type":"post","link":"https:\/\/soulsmithing.com\/fr\/2007\/03\/japanese-swords-by-kiyota-jirokunietsu\/","title":{"rendered":"Japanese Swords by Kiyota Jirokunietsu"},"content":{"rendered":"

All material presented on this page is copyrighted.<\/small><\/p>\n

2007: Sue-Bizen Sukesada Yosozaemon-style short katana<\/h3>\n

The swordsmith signature Sukesada was used by a considerable number of smith spanning the later part of the Muromachi period (1392-1573) through the first third of the Edo period (1600-1867).<\/p>\n

It is generally recognized that Sukesada Yosozaemon is one of the foremost figures of this tradition, having worked towards the end of the Muromachi period. Kiyota has been focussing his research on this group of smiths during the recent years.<\/p>\n

This sword was submitted at the 2007 NBTHK sword forging competition and obtained the Doryoku-sho Prize (Effort Endeavour Award), the second for Kiyota.<\/p>\n

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2006: Sue-Bizen Sukesada-style short katana<\/h3>\n

This sword was submitted at the 2006 NBTHK sword forging competition and was classified in the Nyu-sen category within the first ten positions.<\/p>\n

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2004: Sue-Bizen Sukesada-style short katana<\/h3>\n

This sword was submitted at the 2004 NBTHK sword forging competition and obtained the Doryoku-sho Prize (Effort Endeavour Award), the first for Kiyota.<\/p>\n

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2004: Tanto – \u00ab mamori gatana \u00bb<\/h3>\n

Made for a special exhibition held in 2004 on the theme of the mamori-gatana, or Fortune Heirloom Sword.<\/p>\n

Mamori-gatana were traditionally \u2014 and still are sometimes \u2014 made as an offering to a newborn. They were meant to convey luck and protection in all possible senses. This katana was a collaboration with craftsmen from all fields of the Japanese sword: polisher, habaki collar maker, scabbard maker, lacquerer, handle wrapper.<\/p>\n

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2000: Tachi with Oshigata<\/h3>\n

First sword ever made by Kiyota Jirokunietsu in 2000.<\/p>\n

An oshigata is a rubbing of a sword tang and contour lines, as is often done on stones and bas-reliefs. It provides important information on the sword’s identity, allows for study, preservation, and knowledge dissemination without having to manipulate the actual sword. Oshigata catalogues were published centuries ago!<\/p>\n

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Tout le mat\u00e9riel pr\u00e9sent\u00e9 ici est prot\u00e9g\u00e9 par droits d’auteur.<\/small><\/p>\n

2007: Court katana de style Sue-Bizen Sukesada Yosozaemon<\/h3>\n

La signature Sukesada a \u00e9t\u00e9 utilis\u00e9e par un nombre consid\u00e9rable de forgerons entre la fin de la p\u00e9riode Muromachi (1392-1573) et le premier tiers de la p\u00e9riode Edo (1600-1867).<\/p>\n

Sukesada Yozozaemon est g\u00e9n\u00e9ralement reconnu comme le plus brillant de cette tradition, ayant travaill\u00e9 vers la fin de la p\u00e9riode Muromachi. Kiyota a concentr\u00e9 ses recherches sur ce groupe de forgerons au cours des derni\u00e8res ann\u00e9es.<\/p>\n

Ce sabre a \u00e9t\u00e9 soumis au concours annuel de forge du NBTHK 2007 et a obtenu le prix Doryoku-sho (Prix pour l’Effort), le deuxi\u00e8me de Kiyota.<\/p>\n

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2006: Court katana de style Sue-Bizen Sukesada<\/h3>\n

Ce sabre a \u00e9t\u00e9 soumis au concours annuel de forge du NBTHK 2006 et a \u00e9t\u00e9 classifi\u00e9 dans la cat\u00e9gorie Nyu-sen dans les dix premi\u00e8res positions.<\/p>\n

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2004: Court katana de style Sue-Bizen Sukesada<\/h3>\n

Ce sabre a \u00e9t\u00e9 soumis au concours annuel de forge du NBTHK 2004 et a obtenu le prix Doryoku-sho (Prix pour l’Effort), le premier de Kiyota.<\/p>\n

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2004: Tanto – \u00ab mamori gatana \u00bb<\/h3>\n

Fabriqu\u00e9 dans le cadre d’une exposition sp\u00e9ciale tenue en 2004 sur le th\u00e8me des mamori-gatana, ou Lame de Bonne Fortune.<\/p>\n

Les mamori-gatana \u00e9taient traditionnellement – elles le sont encore parfois – offerts aux nouveaux-n\u00e9s. On esp\u00e9rait qu’ils apportent la bonne fortune et de la protection dans tous les sens du terme. Ce tanto est le fruit de la collaboration d’artisans de tous les milieux du sabre japonais: polisseur, habaki, fourreau, laqueur, tresseur de poign\u00e9e.<\/p>\n

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2000: Tachi avec Oshigata<\/h3>\n

Premier sabre fait par Kiyota Jirokunietsu en 2000<\/p>\n

Un oshigata est un relev\u00e9 de la soie et des contours d’un sabre comme on le fait pour les textures de pierres ou de bas-reliefs. Il fournit d’importantes informations sur l’identit\u00e9 d’un sabre, en permet l’\u00e9tude, la pr\u00e9servation et la propagation du savoir sans m\u00eame manipuler le sabre. Des catalogues d’oshigata \u00e9taient publi\u00e9s il y a bien des si\u00e8cles!<\/p>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

All material presented on this page is copyrighted. 2007: Sue-Bizen Sukesada Yosozaemon-style short katana The swordsmith signature Sukesada was used by a considerable number of smith spanning the later part of the Muromachi period (1392-1573) through the first third of the Edo period (1600-1867). It is generally recognized that Sukesada Yosozaemon is one of the […]<\/p>\n","protected":false},"author":2,"featured_media":474,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,21,23,1],"tags":[],"class_list":["post-468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-study","category-craftsmen","category-gallery","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/posts\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/comments?post=468"}],"version-history":[{"count":1,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/posts\/468\/revisions"}],"predecessor-version":[{"id":1225,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/posts\/468\/revisions\/1225"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/media\/474"}],"wp:attachment":[{"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/media?parent=468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/categories?post=468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soulsmithing.com\/fr\/wp-json\/wp\/v2\/tags?post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}